Tamil, Malar and Esakki are three friends who are planning to kidnap Isabella, Tamizh’s girlfriend, who is being forced by her rich father to marry against her wishes. Chakkaravarthy enters the scene as main villain.

The village chairman Kalingarayan (Sakthivel) and his son Rajappa (Uday Prakash) spread terror among the villagers. Whereas Kattabomman (Sarath Kumar) is an angry man who cannot tolerate injustice. He was brought up by his grandfather (Nagesh) and his widowed mother. His family and Kalingarayan’s family are in a feud for several years. Kattabomman falls in love with Kalingarayan’s daughter Priya (Vineetha) and he gets married to her without their family’s wishes. In angry, his grandfather tells their past. What transpires later forms the crux of the story.

Diya (Aishwarya Rai) is an intelligent university student with strong views on love and marriage. She spends much of her time at an orphanage in Coorg, helping her “Uncle” (Amitabh Bachchan) with the children living there. The story begins when Diya travels to Mumbai to write exams. While there, she stays with her father’s friend, and meets their lighthearted, free spirited son, Arjun (Vivek Oberoi). His views on love and life are completely different to hers. The pair start spending an increasing amount of time with each other and throughout all their arguments and conversations, they soon fall in love. Diya is more open about professing her feelings, while Arjun is reluctant and does not disclose his true intentions. Diya is left feeling heartbroken.

Aviyal is a collection of five Tamil short films made by various directors, including Alphonse Puthren, Sameer Sulthan, Lokesh Kanakaraj, Mohit Mehra and Guru Smaran.

After being cheated by Narayanan, a house agent, Ajay and Anjali end up sharing the same apartment. Love blossoms between the two while they attempt to catch Narayanan.

A spirited young girl would stop at nothing to get the first love of her life, even if it takes seven years and several heartbreaks.

Appu, a married man, begins to suspect his close friend Kuppu having an affair with his wife Ranji as he finds both of them sharing similar interests.

An adventurous road trip of two lovers is being captured on camera by a crazy video crew, along with an insane group of musicians who intend to turn this footage into a music video for a music company contract.

The film starts in a courtroom where a woman Janaki (Meena) is fighting for divorce from her husband Pandian (Kamal Haasan). She offers various reasons for wanting a divorce. She has married Pandian against the wishes of her rich father Vishwanathan Iyer (Gemini Ganesan). But she isn’t able to come to terms with living in Pandian’s small house without amenities. Pandian is an assistant dance director with a modest income and is not able to spend much time with the family. All this accumulates and Janaki decides to apply for divorce, which is granted. The court orders that Pandian can meet his daughter Barathi, once a week and this is his only solace. His daughter, however, loves him a lot and doesn’t like the arrangement. Basha (Nassar), Pandian’s Muslim friend who works in a hotel as a chef, advises him to steal his daughter from Janaki. Pandian goes about trying to do as his friend suggests. In doing so, he is discovered; and now he cannot meet her at all. Then Pandian finds out that Vishwanathan Iyer has advertised for a woman to look after his granddaughter. Joseph (Nagesh) is a makeup man in films. In conversation with him, Pandian gets the idea of playing an old woman, so that he can be with his child and ex-wife without knowing them. Joseph agrees to this plan and the transformation is done from Pandian to “Avvai Shanmugi”– (also Kamal Haasan) a dignified, elderly Iyer woman, who is hired to take care of the little girl.

Three struggling room-mates unknowingly become potential prey of a ruthless gangster.

Pasupon, right in the heart of the Tamil campaign. Marudhu (Vijayakanth), farmer with a big heart, stays the up its elder sister Vallikannu (Srividya) married to a good-for-nothing, Chinnukaruppandevar (Goundamani), as well as his niece, foster daughter, beautiful Pandhimeena (Radha). Because one day, Meena, accompanied with her mother, asks for an explanation to the one who deceives with his father, this one throws her of out of the house. Marudhu returns her in guaranteeing that she is from now on her partner. Inveterate amateur of poker, Chinnukaruppandevar loses all its lands with the Machiavellian Bairava (Radha Ravi). At the end of a fight with the latter, Marudhu takes advantage of this event to set the record straight to his brother-in-law. However, the disturbing piece of news of the cholera rages around. Sandhiya (Rekha), doctor, who preventively wanted to inoculate the farmers, is repulsed by Marudhu and his friends. He is taken at the post of police for disorders to the service to the public. Sandhiya returns in the village, firmly decided to continue, defying the ignorance and the inhospitality of the inhabitants. Marudhu continues to putting obstacles in its way to her, by burning the tent where she sheltered. The doctor sets to keep her cool. This is when bursts a violent thunderstorm. Marudhu was eaten up with remorse, he returns to look for Sandhiya to put her under cover. The next day, he puts him a new tent. The young woman, sensitive to all these attentions, eventually falls in love with the farmer and mutually. Marudhu learns by Gowryshankar, the sad episode, where Sandhiya had to be her daughter-in-law and finally it did not come true because his son left in the lurch them at the last moment. Since the old man denied him and set under his wing Sandhiya. Marudhu promises to him at this moment, when she will be his wife, to the immense happiness of this one. But Meena surprises the lovers without their knowledge. Later, Marudhu explains to Meena and to her elder sister, the tragic past of Sandhiya and cannot thus start again, at the moment its word. Sandhiya would not support a new sentimental failure. Discouraged because lover also and for a long time, from her part, Meena pretended to poison itself and asks as ultimate wish before dying, of being the wife of Marudhu. What realizes the farmer and discovers right after that, the trickery. Trapped, he summons the assembly of the wise men of the village which cuts in favour of Meena. Complaining very often of violent headaches which Meena handled with casualness, the specialists diagnose her very fast a brain tumor. She is condemned in the very short term. Only at the beginning, Marudhu is in the confidence, not even the concerned knows. Marudhu tries to behave “normally”. He informs Sandhiya who, then, does the same with the sister of Marudhu there. But in front of the misfortune which strikes them, each makes a step towards the other one. Marudhu which did not speak anymore with her sister, becomes reconciled. Chinnukaruppandevar égoïte still not for so long that it, metamorphoses into good man. Marudhu fulfills all the desires of his wife Meena. At the time of giving up the ghost, he makes him understand that he likes by recognizing, by confirming that she is her wife. The burial of ended Meena, Marudhu turns to Sandhiya to admit him that he can never love another woman so much the memory, the music of his Meena, it are profoundly printed in him.

Two friends come to Chennai from Madurai. Their lives take a turn when they are faced with one hurdle after another while living in the metro city.