A historical epic inspired by true events that took place in The Kingdom of Dahomey, one of the most powerful states of Africa in the 18th and 19th centuries.

A Sathyamangalam-based photographer Gopi and his assistant Alagumani arrive at a remote village called Mundasupatti on an assignment. The natives of this village are superstitious; they fear getting photographed, believing it will lead to death. Gopi falls in love with the village chief’s daughter Kalaivani but is constantly troubled by her uncle Muniskanth. Does Gopi get his lady love?

‘Mahaan Kanakku’ is a quality entertainer that graced Tamil cinema in recent times. The film stars Ramana and Richa Sinha in the lead roles and is helmed by Sampath, with music by AK Rishal Sai. Norway Tamil Film Festival – Tamilar Awards 2012 The film Mahaan Kanakku is about one problem that most people from the middle class have faced directly or indirectly. The issue is how the private banks in the country take ride on their customers, who are put to untold miseries. Ramana plays a MBA graduate who wages a battle against them. Filmmaker Sampath Arumugham seems to have gone the Shankar way in his maiden venture Mahaan Kanakku. In a nutshell, it is an individual’s crusade against the alleged high-handedness of some private banks in the country that fleece the borrowers in the name of interest. He has not made it very preachy. Ramana’s patience and perseverance seems to have been rewarded with Mahaan Kanakku. Check out the Tamil Movie Review – Mahaan Kanakku Jeeva (Ramana) is a happy-go-lucky youngster. He leads a contended life in Coimbatore with his siter Janaki (Devadarshini) and her husband Vardharajan (Srinath). For Jeeva’s higher education, Varadharajan obtains loand from OCOC bank. Though he repays the loan, for no reason he is harassed by bank officials and collection agents. He is humiliated by them at his workplace and his residence too. Unable to bear their tortures, Varadharajan commits suicide with his family. Only after their death, Jeeva comes to know about the incident. He now vows to teach these private banks a lesson. Jeeva lands in Chennai with a mission now. He fakes his identity and uses all loopholes in the legal systems and borrows huge money from banks. One fine day without repaying them, he disappears. Ow the bank officials run behind him. Eventually he is caught and brought to a special court where he throws light on the attractiveness of these banks and gives a call that private banks be nationalized for they have spelt doom on many families. The director deserves praise for his guts to handle such serious theme. But at no point it goes preachy or dull. His crisp dialogues add strength. Three cheers to the filmmaker for handling a theme like this. He promises a lot and hopefully delivers more in days to come

A man, who lost his Muslim friend as he was in a relationship with a Brahmin woman, is hesitant about love. However, a woman falls for him and tries to help him overcome his past.

Twin brothers, Vasu and Vel, get separated at birth and grow up in different families. One becomes an officer while the other turns into a rough character.

Vijay Rajendran is a happy to-go lucky man. Things change when his father becomes terminally ill, and he is left to manage his business empire.

Naveen (Naveen), Sendrayan (Sendrayan), Kuberan (Kuberan), and Vellaichami aka White (Rajaji) are four youngsters. The story begins with a meeting of them in a police station where they are held in connection with a robbery case. Disillusioned with society and their place in it, they plan to rob White’s treacherous uncle, who they believe has left for a pilgrimage with his entire family. Instead, they find them at home and get involved in a quagmire involving moneylenders, enforcers and the mafia.

Kathir (Vijay Sethupathi) is a wannabe rowdy, whose only aim is to run a bar on his own. He is just back from five years of prison life and it was for his area councilor, who promised him to provide a posh life. Then, we have Yazhini (Madonna Sebastian) who loses her IT job during recession and due to financial crisis, she stays in the small flat opposite Kathir. The rest of the film is all about how these two people with drastically different dreams gel with ease and develop a liking for each other.

Ankitha ( Gayu ) and Yuva Krishna fall in love with each other in college. But when Yuva tells his friends about being close to Gayu and describes her, she gets angry and they split apart. After finishing college, Gayu’s family stays in a house opposite to that of Yuva. Their families get to know about their earlier love and try to rejoin them . The rest of the story is how Gayu gets convinced.

Salamma, a helper at a public hospital who is about to retire soon, tackles the selfishness, greed, discontent, and vulnerability of her children, daughters-in-law, and tenant, who is a jolly ragpicker.

Thavathiru Sivadas Swamigal (Nassar) runs a drama troupe in which Thalaivankottai Kaliappa Bhagavathar (Siddharth) and Melachivilberi Gomathi Nayagam Pillai(Prithviraj) are his direct disciples. Gomathi is left by his father in the troupe of Swami. Kali is found by Swami during a train trip where the boy is singing and begging alms. Impressed by his singing talents, Swami takes the boy with him. Gomathi and Kaliappa have relationship like brothers. They grow up together and stage many plays where Gomathi often plays “Sthripart” – the female role and Kali plays “sidepart”- supporting characters. While Vadivambal (Vedhicka) joins as the female member in the group, soon falls in love with Kali, while Gomathi falls for Vadivu, however, Kali loves Rangamma (Anaika Soti), the princess of the zameen. Bhairava (Ponvannan) who is another student of Swami is a popular “Rajapart” – performing main title characters of a stage play. He becomes headstrong over his acting capabilities and does not attend the rehearsals for which he gets scoldings from Swami. After a quarrel, he leaves the troupe as he could not bear the torture of Swami. Swami does not give up and conducts an audition for the main character role of Soorapadman in which Kali and Gomathi perform. Kali gets selected, which leaves Gomathi angry. The reason behind Swami’s bias towards Kali is never answered clearly to Gomathi which leaves him more frustrated.

A man (Ranveer Singh) from a crime family falls in love with a woman (Deepika Padukone) who is resistant to her family’s choice of a husband for her.