
Maharani
The story is about Raaj (Sumanth), a fashion photographer who is caught in between his wife Mythili (Priyamani) and his ex-lover Priya (Vimala Raman). Raaj chose not to tell Mythili about Priya and finds it difficult to adjust with his wife during the early days of marriage. However, their relationship improves with time, and they finally get close. Just when things look to settle down, Priya comes back into Raaj’s life unexpectedly. He’s very curious about why Priya left him abruptly in the past. Priya is later kidnapped by her scorned lover (Ajay). Raaj saves her from his clutches subsequently. In an unexpected twist, it is revealed that Mythili and Priya were actually classmates in school. Raaj later uncovers Priya’s ulterior motive, tells Mythili the truth, and reconciles with his wife.[2]

Merku Thodarchi Malai
Merku Thodarchi Malai revolves around the life and times of a group of landless workers living along the foothills of the Western Ghats. It depicts the good-hearted village people and shows how the introduction of commercialization creates conflict in the village.
Rangasamy (Antony) is a daily wage laborer who makes a living carrying cardamom sacks from the mountains to the foothills in the interior of Tamil Nadu. Chacko, a communist from Kerala, unionizes these workers to prevent the estate owner from exploiting them. As a result, there are frequent clashes between the landlord and union members.

Spot
According to review by IndiaTimes:
The movie starts with a chase sequence – a girl is being chased by a bunch of goons as per the order of a dreaded politician. Four boys come to her rescue and she is taken away by them in a car. The chase continues for around an hour’s time, in the course of which two of the boys lust after her. The third guy wants to get rid of her to avoid unnecessary consequences, and the fourth guy falls in love with her. The worse thing is, the girl, too, loves him back without any convincing reason. Even when the indefinite car chase happens, with the goons yelling ‘thookku da’, ‘poda’, ‘vaada’, and so on, we are shown two songs featuring the hero and heroine. The latter half of the movie is hilariously terrible with some pointless skin show, never-ending fight sequences, funny dialogues and bizarre background score. This is a film which shouldn’t have been made.

London
Shiva Raman (Prashanth), an easy-going young man, comes to London in search of a job, but he loses all of his certificates. He finds Kathiravan (Pandiarajan) wandering in London aimlessly without a job. Now, they both need jobs and money. Kathir persuades Shiva to join a bank robbery planned by Bhaskharan (Manivannan). His stammering brother Natrajan (Mayilsamy) and Aishwarya (Mumtaj), who is the former’s lover, lands them in more trouble, as the robbery ends vainly. Aishwarya informs the police about the robbery and tells that the entire plan was hatched by Bhaskar. Bhaskar hides the money before getting arrested, and the place is known only to his lawyer Vedimuthu (Vadivelu). Aishwarya fakes to be in love with Vedimuthu to find where the money is hidden.
Meanwhile, to find a safe cover, Shiva and Kathir plan to imitate Saravanan, the grandson of a rich elderly couple: Shiva Kumar (Vijayakumar) and his wife Parvathi (Srividya). They have not seen their grandchild since his birth. Shiva and Kathir end up disguising Kadhir’s body and Shiva’s voice to make up for Saravanan in front of the blind couple. Ganesh (Delhi Ganesh), who knows Kathir before, makes several attempts to expose the truth to the couple, but all fails, due to Shiva and Kadhir’s luck. All of a sudden, Anjali (Ankitha) arrives in the disguise of Saravanan’s lover. She calls on all the relatives of Shiva Kumar and Parvathi. The relatives arrive in Shiva’s absence. Finding no way out, Kathir pretends to have fainted unconscious, and he gets admitted to the hospital. Shiva comes to his rescue, and says that he is Dr. Karthikeyan, a friend of Saravanan from America….

Vachathi

Ayudha Poojai
Krishnasamy (Arjun Sarja), a respected man, and Samiyappan (Thilakan) are in a feud for several years. Amudha (Nikitha), Krishnasamy’s daughter, hates her father because she thinks that he is a killer.
A few years before, Krishnasamy was a tea master with his friend Kandhasamy (Goundamani). After his father’s death, Krishnasamy had a lot of responsibility. He fell in love with Sindhamani (Roja). In the meantime, Samiyappan, a local don, cancelled his engagement because Sindhamani’s father promised Sindhamani to his son (Raja). One day, Krishnasamy ridiculed Samiyappan in a politic function. This humiliation irks Samiyappan, so his henchmen burnt Krishnasamy’s house and Krishnasamy’s brother who was in the house died. In anger, Krishnasamy entered Samiyappan’s house and fought against his henchmen but an honest police officer (Nagesh) arrested him before he committed murder. The police officer gave him a mission: stopping Samiyappan’s illegal activities.

Pariyerum Perumal
Pariyerum Perumal narrates the story of a youth hailing from Puliyankulam village near Tirunelveli. Pariyan (Kathir) belongs to an oppressed caste. The movie begins with the brutal murder of his beloved black dog ‘Karuppi’ (Lit. Blackie in Tamil). The canine hunting companion of Pariyan is the first one we see becoming a victim of caste hegemony.
Pariyan moves on to secure a seat in a law college, where he wishes to become a lawyer like B. R. Ambedkar. He meets Jothi Mahalakshmi alias Jo (Anandhi), a naive girl from Ambasamudram who takes it upon herself to teach English to Pariyan. She eventually falls for his innocence and honesty. This newfound friendship irks Sankaralingam (Lingesh), a fellow law student and Jo’s cousin. He awaits a chance to teach a lesson to Pariyan and establish his caste superiority. He does so while the blissfully unaware Jo invites Pariyan to a family wedding.

Naalai Namathe
Nalai Namathe is about the man who struggles to raise the standards of the society he lives in. The film is based on the concept that government should make Rs. 500 crores the maximum limit for property that could be owned by anyone and should confiscate any excess, to be distributed to the poor and needy.

The King Maker
In 1547 Fernando De Gama, a young “Soldier of Fortune” from Portugal, set sail for the Orient in a bid to find the man that murdered his father and, with luck, like many of his fellow countrymen,to make his fortune. A vicious storm in the Indian ocean almost ended his plans when the ship he was on sank. The sole survivor, he was washed up on a tropical beach only to be captured by Arab slavers and taken to Ayutthaya in the kingdom of Siam where he was offered for sale as a slave. He is rescued from slavery when a beautiful young woman Maria, also from Portugal, living in Ayutthaya with her father, buys him from the Arabs and restores his freedom. Not suprisingly he falls for Maria and Maria him, much to the chagrin of Maria’s Father. As an experienced soldier his services are soon in demand when the King of Siam declares war on a Northern renegade pretender and all of the Portuguese colony are press-ganged into the service of the King. Predictably, Fernando’s experience and gallantry in the heat of battle, gain favour with the King who commands him to be one of his honoured personal Guard along with a new found Thai friend of tremendous gallantry, Tong. Unbeknownst to the king, his beautiful but devious wife, Queen Sudachan, plots to kill him and place her lover on the throne. The first attempt by the Queen to rid herself of the king fails and she enlists the services of Phillippe, who it transpires was the murderer of Fernando’s father. He in turn organises another failed attempt on the Kings life. As trusted guardians of the king, Fernando and Tong discover that Phillippe is involved but is killed during an attempt to arrest him. They subsequently discover that the perpetrator is the Queen but are to late to save the king who has already succumbed to her poison. The blame for the kings death is fostered upon Fernando and Tong who are arrested and forced to fight each other to the death for the amusement of Queen Sudachan and her lover, the new king.

Kurangu Kaila Poo Maalai
The film revolves around Kavitha as she tries to defame the name of a luxurious businessman, who was accused of harassing a woman. After the businessman learns about Kavitha`s intentions he decides to play it along, only to get her into trouble.

Onaaigal Jaakirathai
Four friends, who are unemployed, are in desperate need of money. When one of them, Azhagu, decides to kidnap his niece for ransom, they land in deep trouble.