A young woman (Sneha) who’s always hidden her ardor for her handsome neighbor (Tarun) decides to take a risk by enlisting her devious sister’s matchmaking help. But the plan backfires when she’s betrayed by her jealous sibling, who proclaims her own feelings for the young man. Devastated, the girl abandons her quest for romance, but all may not be lost when the object of her affection happens upon her diary that reveals her love for him.

Lord Shiva accuses Yama of saving the life of a criminal-politician when the latter tries to stop a little girl from dying. Yama is given a few days’ time to rectify his action.

Aruljothi is a young pregnant woman. Somehow by the time of her adjunct absence, her unborn toddler is dislodged and abducted from her womb mysteriously.

Dangerous Gangster Marudhu singam (Lal) comes to hunt down a whole family. – When the President learns that domestic terrorists have skyjacked the passenger jet her brother is flying, she must choose between family and the safety of the people in the cities below.

Three friends, who value friendship over everything else, begin to fall apart when one of them learns about a shocking incident that happened in their past.

A young woman moves to Canada with her boyfriend to get married with the help of her friend, but finds herself trapped in a web of lies and deceit.

Mayandi (Rajkiran) was a brave and strong man who was respected by villagers. Mayandi was in love with his cousin Solaiyamma (Meena) and wanted to get married to her but they have nothing in common. The soft-spoken Solaiyamma was afraid of him. In the meantime, Murugesan (Raj Chander), a city youngster, fell in love with Solaiyamma’s little sister Kasthuri (Saradha Preetha). Later, Mayandi and Solaiyamma had an arranged marriage but Solaiyamma was still afraid of him after the marriage. One night, Mayandi came drunk in his house, molested the innocent Solaiyamma and brutally raped her. Since that night, Solaiyamma began to avoid Mayandi and she didn’t talk to him anymore. A few months later, Solaiyamma discovered that she was pregnant. Mayandi and Solaiyamma were unable to understand their feelings. Finally, Ponnuthayi (Srividya), Mayandi’s adopted mother, brought them back together. Unfortunately, Solaiyamma died after giving birth.

Vijay, a 19-year-old boy, starts his transport business at a very young age from Gadag, a small city in the heart of North Karnataka. Although he faced many difficulties in the beginning, he became the owner of 4300 vehicles.

Debutant director Julien Prakash’s ‘Ilami’ has the potential of becoming one such rare gem. The film starts with the author’s narration of the history of Jallikattu and how it was an integral part Tamil’s living in a particular locality. The story is set in the 18th century (1715 AD).

The Great Indian Kitchen has stayed true to its original, and we have nothing to complain about its execution.

The film, set in the 1940s and moving to the 1960s, revolves around the emotional story of Thulasi (Nandita Das) returning to her village to become a dance teacher. She cannot bring herself to forget Vishwa (Mammootty), a man she has been in love with for two decades. Memories of Vishwa haunt her constantly, and upon a chance meeting with him, she discovers he too is struggling with his love for her. Both are haunted by the memory of Thulasi’s cousin, a figure who is unable to control his obsession for his cousin and hide his resentment at Thulasi’s feelings for Vishwa. Thulasi (Nandita) comes to Sundarapuri after her guardians – her grandma and uncle – pass away, to work as teacher in a dance school. It is in Sundarapuri that Vishwa (Mammootty) the zamindar whom she had met 20 years ago, lives. They meet again and the feelings that had blossomed in their hearts as teenagers, are revived. Vishwa is unmarried and Thulasi has gone through an unceremonious ritual in the name of matrimony, but fear of societal stigma and innate inhibition keep them asunder. Sensing their intense love for each other, Pattabhi (a very natural essay by ‘Delhi’ Ganesh once again), the manager at Vishwa’s house, helps them overcome their fears. It is then that Fate enters in the form of Siva (Manoj K. Jayan).

A taxi driver unwillingly became accomplice to goons