This film depicts the disputes between two forms of the dance styles and music, Classical Indian (in particular Carnatic music and Bharathanatyam danceform) against rural Tamil folk music and dance. The film depicts the misunderstanding and mutual ignorance of the two factions. The parallel plot in the movie is of the children and intended successors of the respective dance doyens falling in love with each other. The climax ends with a consensus of both the music genres as well as the young couple, hence the name Sangamam.

Childish Abhi’s obsession with Sruthi ends in heartbreak, but everything in his life changes when he gets a job at an advertising company and meets the beautiful Abhinaya, who has an unusual medical condition.

The exiled heir of a powerful business tycoon returns home and learns about his father’s murder. He joins his father’s company as an employee in order to find out the truth.

Irumbu Manithan revolves around Sundharam , a noble-minded person who runs a roadside eatery and lives with his three adopted children.

The film set, in post war Sri Lanka, brings us close to two characters who collide quite accidentally, and through them we experience the deep and seemingly unbridgeable chasm that conflict almost always creates. Will love help them cross the bridge? Or will the past continue to color the present? A man and a woman from the two ends of the thirty-year-old bloody civil war in Sri Lanka discover that the color of love is blue, and life, shades of grey.

Meena and Geetha fall in love with two guys, who apparently are college professors. The girls’ brother Krishnamurthy, an MLA, abandons the plan to get them married to ministers’ sons and reluctantly accedes to their wish. The girls are married off to their respective lovers, only to learn that the duo are not college professors, but two unemployed youths in search of jobs. Thrown out of the house by the furious family, the men open a fast food eatery to prove a point to their unforgiving wives. How the matter is resolved forms the rest of the story.

A corrupt policeman hires four teenagers, Aravindan, Madurai, Pandi and Kuttymani to kidnap Selvanayagam, a minister. But he is unaware that the boys have their own score to settle with Selvanayagam.

Pariyerum Perumal narrates the story of a youth hailing from Puliyankulam village near Tirunelveli. Pariyan (Kathir) belongs to an oppressed caste. The movie begins with the brutal murder of his beloved black dog ‘Karuppi’ (Lit. Blackie in Tamil). The canine hunting companion of Pariyan is the first one we see becoming a victim of caste hegemony.
Pariyan moves on to secure a seat in a law college, where he wishes to become a lawyer like B. R. Ambedkar. He meets Jothi Mahalakshmi alias Jo (Anandhi), a naive girl from Ambasamudram who takes it upon herself to teach English to Pariyan. She eventually falls for his innocence and honesty. This newfound friendship irks Sankaralingam (Lingesh), a fellow law student and Jo’s cousin. He awaits a chance to teach a lesson to Pariyan and establish his caste superiority. He does so while the blissfully unaware Jo invites Pariyan to a family wedding.

Sumitha rises to riches after becoming a glamorous actress and she falls in love with Ram Kumar, a business tycoon. All hell breaks loose, when Ram’s son falls for Sumitha.

A novelist who is facing writer’s block, meets a budding writer. Desperate, he decides to use her story for his next novel. At the same time, a film assistant is planning something vicious to destroy him and his close ones.

Viswa (Dinesh) is a good for nothing guy who lives in a police colony and is son of an honest constable (Rajesh). It follows the conflict between a disciplinarian father and his wayward son. One day the constable dies in line of duty and the son gets his father’s job. The rest of the story is how Viswa becomes from a reluctant cop to a disciplined guy, who takes revenge against those who murdered his father.

Amara is a 2014 Tamil language film written, filmed and directed by M. Jeevan. The film was produced by S.A. Jalavudhin who had previously produced Sengathu. Starring Amaran, Sruthi Ramakrishnan and Ashish Vidyarthi, the film released on 28 February 2014.