The film is a triangular comical thriller set inside a pub and Narayan plays the character of a bartender. What happens within one night forms the movie plot.
Santhosh is a call taxi driver in Chennai. Advocate Ashwini is a regular customer in his cab. Their friendship soon turns into love. Meanwhile, a gang of four members is involved in murdering cab drivers. One day Ashwini’s father wants to meet Santhosh. Since he had a trip to Pondy, he gives it to his friend and goes to meet her father.
Prabha (Aadhi) is the eldest son of his family who does nothing but spend all his time with his friends. He is chided by his father (Jayaprakash) for that. Being a volleyball player comes to his rescue as he finds a part-time job as a volleyball coach in a women’s college. His younger brother works in a TV channel, and Prabha is often compared to him by the family, which incurs his wrath. The siblings cross swords with each other. One day, the younger brother is killed, and the blame falls on Prabha. He is on the run and soon joins a goonda working as a henchman to an influential politician (Mahadevan). Prabha goes on a killing spree, killing one by one in the gang. Finally, a flashback reveals that they were the reason for his brother’s death.
Pandi (Raghava Lawrence) does menial jobs in Dubai and saves every penny he earns and sends it to his family in Usilampatti. A flashback reveals that he was a carefree youth, who is often chided by his father Sundarapandi (Nasser). His elder brother Rajapandi (Sriman) is the blue-eyed boy of his father. However Pandi’s mother Sivagami (Saranya Ponvannan) showers all her love and affection on him. His mother has a dream of building her own house in her land. Rajapandi says Pandi to go to a marriage ceremony, while on the train he met Bhuvana (Sneha), a cop’s daughter in the other village and after a sequence of events romance blossoms between them. one afternoon Bhuvana gives all the money she has on her person to Pandi and convinces him to take her out to lunch at a restaurant. After eating his lunch, he went outside to wash his hands and saw his sister and her boyfriend having a conversation. He chases the motorbike on Auto leaving Bhuvana stuck with the bill and no money, having given it all to Pandi. When Pandi eventually catches up with the boyfriend, the boyfriend tells him that they are seriously in love, and he’s going to be coming over to their place with his parents to ask for her hand in marriage. Everything was going well until a couple days later Sundarapandi want the money to buy the jewelry. Pandi’s family receives a shock as Pandi Mother can’t find the money they have saved up to pay for the wedding. Since Pandi is already a known trouble maker and has been to jail already, the father blames him and kicks him out of the house. This happens in front of Bhuvana, who has come to see where he has been the last few days and why he ran away at the restaurant. This incident with his father accusing him of taking the money has convinced her that he took her money the other day and ran and also just using her. In the end, it turns out, his elder brother Rajapandi has run away from the house with his lover and with the money.
A dejected father is consoled by Pandi, who borrows money from a private money-lender and completes the wedding. Meanwhile, Pandi tries to make amends with Bhuvana, but she won’t hear any of it. Pandi’s father, seeing the argument, went over and told Bhuvana the truth and how he misjudged his son and it wasn’t him that took the money. The following day, Pandi’s father went to Bhuvan’s house to ask her father to fix a marriage between Pandi and Bhuvana. Bhuvana’s father upon hearing this is furious. He is the local police inspector and knows all about Pandi’s past. He refuses to marry his daughter to a criminal. Bhuvana’s father arrange a marriage for her, but she went to Sundarapandi to say she will die before merry another person than Pandi. Pandi snatched Bhuvana from her house and take her to her father police station and ask her father to approve. Bhuvana father gets angry and says she is not his daughter anymore and he will think his daughter eloped and lost. Pandi merry Bhuvana and as police protection Bhuvana father watch her getting married.
Determined to pay back the loan and help his family overcome their financial constraint, Pandi decides to go abroad and work as conservancy staff. He manages to stabilize his family with his earnings. However, on his return, he is shocked to find his mother dead. Coming to know that it was no natural death, he decides to avenge the killers. He find that Sunderapandi colleague hire a killer to kill him and his mother died. He beats him up and when Pandi take aknife to kiil him, he gets
MGR Sivaji Rajini Kamal
MGR Sivaji Rajini Kamal is a 2015 Indian Tamil-language comedy film directed by Robert, who also starred in the film in the lead role. The film features an ensemble cast including its producer and dialogue writer Vanitha Vijayakumar, Nirosha, Aishwarya and Ramji in other lead roles.
Ammu Kolai Vazhakku
Sivappu Enakku Pidikum
The Dirty Picture
A day before her marriage, Reshma (Vidya Balan) runs away from her rural village, hoping to become a star in Chennai. She fails to impress a casting director, and he insults her for being unattractive and unable to act. Determined to secure a role, she spontaneously auditions for the position of a background dancer. However, she dances in a sultry manner, using erotic movements which annoys the film’s director, Abraham (Emraan Hashmi). He edits out Reshma’s entire dance sequence. The film fails at the box office, much to the dismay of the producer Selva Ganesh (Rajesh Sharma), who later recalls Reshma’s performance and offers her a role in a song in his upcoming film. Selva also suggests that she now be referred to as “Silk”, which is more exotic and captivating.
At the first shoot, Silk dances with veteran actor Suryakanth (Naseeruddin Shah), her childhood idol. Enamoured with him, Silk gains his affection and attention by offering a long-term sexual relationship. Meanwhile, Abraham proposes a new film to Selva Ganesh and is keen to cast Suryakanth. However, Suryakanth’s suggestion of adding sex and eroticism, to make the film more commercially viable, angers Abraham. Silk slowly builds a name for herself in the industry and goes on to do many more sexually charged films with Suryakanth, which catapults her into stardom. She gains many male fans and, in a short time, becomes immensely rich and popular as a Southern sex symbol.