Chulbul Pandey encounters an enemy from his past, and his origin story as the fearless cop unfolds.

The story begins with a group of government officers coming to list the number of devastated houses. The officers promised them to give a big amount to build their house but in exchange for a little amount to register their name. So the illiterate villagers, who wants to make easy money, demolish their house. The officers turn out to be frauds. The village panchayat president (Vinu Chakravarthy) knows that the villagers will not interfere in his decision until they are uneducated. Sivaraman (Sivakumar), a new school teacher, tries to change their custom and the children are happy to learn at school. Soon, Sivaraman has trouble with the village head.

Daveeth arrested for killing two of his friends. Arguments going on in the court, daveeth says “I’m not the killers, they are the Killers, a true story behind me, if u know the story, you can find that what is truth.

Achyut and Anand are brothers, Jyosthna is a tenant in their home. Both the brothers try impressing her.

The film tells the story about Denes and Karadi, living in this 21st Century, and living life to the fullest just like any other youngsters. They aspire to be where the limelight is, work for their dough but with an exception, their lives also bring the fast life of cheating and deceiving if only to lead the life of the rich and famous, but in this case, a wannabe life of the rich and famous. Just like any other teenagers fresh from college, starting out their lives seem like a possible feat where the sky is the limit, and as the saying goes, go where no man has gone before and have no fear treading on calm water.

We get a childhood rivalry between Deva (Dinesh uncomfortable) and Villangam (Ramdoss, underutilised), a hastily built romance between Deva and Thulasi (Adhiti Menon), a back story for why Thulasi’s mother (Devayani, with a lousy hair-do) wants a son-in-law who can drive, a henpecked husband (Anandaraj, who takes on the responsibility of making us laugh), a comic character (Rajendran, in an underwritten role) who could expose the hero’s lies…

Young Ashay wakes up one morning to discover the beginnings of moustache! The upheaval that the tiny follicle of hair causes in his life is unprecedented. Ashay experiences his newfound ‘manhood’ and finally understands what growing up is all about.

Romeo lives a wealthy lifestyle in Bangalore, India, along with his widowed mother. He had received considerable assistance and encouragement from Raj Mohan to dance and sing, and as a result gets very popular with young women. He meets and is attracted to Madhu, who is also his fan. His mother meets with Madhu’s grandfather and both arrange their wedding. Then Romeo finds out that Raj Mohan has been stealing body parts, especially kidneys, from patients in the Satya Moorthy Hospital, and then getting them killed via bus accidents. He meets with Raj and warns him that he is going to expose him publicly. Before he could that Romeo is shot, taken by ambulance, and thrown off of a cliff. His friend, Prakash, is blamed for this, is arrested, tried in Court, found guilty, and sentenced to life imprisonment. But Romeo survives, is looked after by tribal people, and several months later returns to Bangalore to expose Raj – only to find a look-alike, a Chandaal (Hindu Undertaker) named Badshah, from Bombay, has taken over his life, identity, love, and is residing in his very own home!

A burglary takes place the night Anand works as a substitute for his friend, a security guard. Later, a worried Anand remembers that he left behind his guitar and tries to retrieve it inconspicuously.

Velan hates his stepfather and his half-brother Balan.As a police officer,he makes an enemy out of a local politician,who uses the hostility between the stepbrothers to fulfil his own nefarious plans.

The film is about a 50-year-old vanity van owner, Caravan Krishnan, who goes out of his way to help those in inter-caste relationships sort out their issues, and makes a point against caste and religion-based division.