A young woman is murdered right in front of a police station. The inspector at the station suspects her boyfriend, a private detective, who claims he is innocent.

A wealthy man is known and revered for his just nature all over the region. His brother is married to an arrogant girl while there are others who are continuously plotting against this family.

James also called Santhosh Kumar, who works as a manager in a security company and finds himself up against the big bad guys.

Bajirao 1, who fought over 41 major battles and many others, was reputed never to have lost a single one of them. Bajirao is described as “RANMARD” a man made of and for the battlefield. Bajirao said to his brother “Remember that night has nothing to do with sleep. It was created by God, to raid territory held by your enemy. The night is your shield, your screen against the cannons and swords of vastly superior enemy forces. ” A born cavalry leader Bajirao was unequaled for the daring and originality of his genius. Mastani, the fabled warrior princess was the daughter of Raja Chattrasal and his Persian wife Roohani Begum. An expert dancer, singer and warrior, Mastani is sent to battle at the head of the Bundelkhand army. A chance meeting on a war field where they fight on the same side, puts Bajirao and Mastani on a course of passionate love- that is unstoppable by either of their families, by war or by death itself.

The movie begins with the search for an actress Anjali (Sonia Agarwal) by a scribe (‘Punnagai Poo’ Geetha). Once a sought-after heroine, Anjali vanishes one fine day and efforts to trace her ends in vain. The journalist manages to locate her after several hardships. Cut to flashback, the travails of Anjali is revealed. Anjali is the daughter of a poor folk artiste Devarajulu (‘Yogi’ Devaraj) in Andhra Pradesh. One day, her mother resolves to make her an actress and comes to Kodambakkam. The mother and daughter climb every stairs and go around every studio in Kodambakkam and Vadapalani. They meet with failures everywhere until they are forced to agree for casting couch. One compromise on the part of Anjali bags her heroine’s role. She fortunately makes it big. The nature of her mother changes… She becomes greedy and runs madly behind money. Anjali is exploited by few in the industry. Unable to tolerate all humiliation, Anjali decides to take extreme decision in her life.

The film, set in the 1940s and moving to the 1960s, revolves around the emotional story of Thulasi (Nandita Das) returning to her village to become a dance teacher. She cannot bring herself to forget Vishwa (Mammootty), a man she has been in love with for two decades. Memories of Vishwa haunt her constantly, and upon a chance meeting with him, she discovers he too is struggling with his love for her. Both are haunted by the memory of Thulasi’s cousin, a figure who is unable to control his obsession for his cousin and hide his resentment at Thulasi’s feelings for Vishwa. Thulasi (Nandita) comes to Sundarapuri after her guardians – her grandma and uncle – pass away, to work as teacher in a dance school. It is in Sundarapuri that Vishwa (Mammootty) the zamindar whom she had met 20 years ago, lives. They meet again and the feelings that had blossomed in their hearts as teenagers, are revived. Vishwa is unmarried and Thulasi has gone through an unceremonious ritual in the name of matrimony, but fear of societal stigma and innate inhibition keep them asunder. Sensing their intense love for each other, Pattabhi (a very natural essay by ‘Delhi’ Ganesh once again), the manager at Vishwa’s house, helps them overcome their fears. It is then that Fate enters in the form of Siva (Manoj K. Jayan).

A story of a private investigator that accidently becomes a vigilante and he tries to save his friend and his family that was abducted by a dangerous militant group that was going to release a chemical bomb. Did he manage to save everyone in the end?

An educated do-gooder is forced to enter politics in order to serve society. But, will the old guard make way and allow him to do that?

A young woman moves to Canada with her boyfriend to get married with the help of her friend, but finds herself trapped in a web of lies and deceit.

Every cloud has a silver lining and Aarohanam showcases the brighter side of a mental disorder, along with all the trials and turbulence of such a life. In an age where the morbidity of poverty has been vehemently publicized, this film strives to unassumingly uncover the true essence of Indian culture while offering a raw and intimate experience of family and community life in the Indian slums.

Madhava Padayachi (Sathyaraj) narrates his life to a young man who saves him from shame. The man goes to his home village by a bus and feels for Madhava, who was a rich farmer long time back in his village.
Madhava is fondly called Madhavar. He, his wife Velayi (Archana), and their three sons live a happy life in their village. He is an honest and hardworking farmer who will do anything for others. And he is well-respected by everyone in the village. Velayi is his strength, but the others in the family do not approve of his nature, especially in money matters.

Bruce (himself) lives in a village area close to the mountain ranges with his mother. He acts as a single warrior when it comes to dealing with the crisis and other issues that his village faces and he single handedly manages to rescue his village from threats. Most of the people in the village also seek Bruce for assistance when they face problematic situations. On one day, his mother died from a fire accident which happened in his hut where he lived with his mother while his uncle Thennavan Duraisamy takes Bruce along with him to the Madurai city since his mother’s death. But the village people request Thennavan Duraisamy to send back Bruce again to their village to safeguard them. On the other hand, Bruce’s uncle faces some troubles over selling his real estate property to his friend due to the interruptions of a business person. The entire story revolves around the young man Bruce who come from a village to the city inorder to fight out for his uncle with his fighting skills to solve his uncle’s problem over the property.