Love In The Villa
A young woman takes a trip to romantic Verona, Italy, after a breakup, only to find that the villa she reserved was double-booked, and she’ll have to share her vacation with a cynical British man.
Ivan Yarendru Therikiratha
The protagonist is stuck in a rut with his negative and lonely lifestyle and spends each day in the comfort of his loneliness. A pup named Charlie who is naughty and energetic which makes her complete contrast with the protagonists’ character enters his life and gives him a new perspective towards it.
Ninaive Oru Sangeetham
Pasupon, right in the heart of the Tamil campaign. Marudhu (Vijayakanth), farmer with a big heart, stays the up its elder sister Vallikannu (Srividya) married to a good-for-nothing, Chinnukaruppandevar (Goundamani), as well as his niece, foster daughter, beautiful Pandhimeena (Radha). Because one day, Meena, accompanied with her mother, asks for an explanation to the one who deceives with his father, this one throws her of out of the house. Marudhu returns her in guaranteeing that she is from now on her partner. Inveterate amateur of poker, Chinnukaruppandevar loses all its lands with the Machiavellian Bairava (Radha Ravi). At the end of a fight with the latter, Marudhu takes advantage of this event to set the record straight to his brother-in-law. However, the disturbing piece of news of the cholera rages around. Sandhiya (Rekha), doctor, who preventively wanted to inoculate the farmers, is repulsed by Marudhu and his friends. He is taken at the post of police for disorders to the service to the public. Sandhiya returns in the village, firmly decided to continue, defying the ignorance and the inhospitality of the inhabitants. Marudhu continues to putting obstacles in its way to her, by burning the tent where she sheltered. The doctor sets to keep her cool. This is when bursts a violent thunderstorm. Marudhu was eaten up with remorse, he returns to look for Sandhiya to put her under cover. The next day, he puts him a new tent. The young woman, sensitive to all these attentions, eventually falls in love with the farmer and mutually. Marudhu learns by Gowryshankar, the sad episode, where Sandhiya had to be her daughter-in-law and finally it did not come true because his son left in the lurch them at the last moment. Since the old man denied him and set under his wing Sandhiya. Marudhu promises to him at this moment, when she will be his wife, to the immense happiness of this one. But Meena surprises the lovers without their knowledge. Later, Marudhu explains to Meena and to her elder sister, the tragic past of Sandhiya and cannot thus start again, at the moment its word. Sandhiya would not support a new sentimental failure. Discouraged because lover also and for a long time, from her part, Meena pretended to poison itself and asks as ultimate wish before dying, of being the wife of Marudhu. What realizes the farmer and discovers right after that, the trickery. Trapped, he summons the assembly of the wise men of the village which cuts in favour of Meena. Complaining very often of violent headaches which Meena handled with casualness, the specialists diagnose her very fast a brain tumor. She is condemned in the very short term. Only at the beginning, Marudhu is in the confidence, not even the concerned knows. Marudhu tries to behave “normally”. He informs Sandhiya who, then, does the same with the sister of Marudhu there. But in front of the misfortune which strikes them, each makes a step towards the other one. Marudhu which did not speak anymore with her sister, becomes reconciled. Chinnukaruppandevar égoïte still not for so long that it, metamorphoses into good man. Marudhu fulfills all the desires of his wife Meena. At the time of giving up the ghost, he makes him understand that he likes by recognizing, by confirming that she is her wife. The burial of ended Meena, Marudhu turns to Sandhiya to admit him that he can never love another woman so much the memory, the music of his Meena, it are profoundly printed in him.
The Dirty Picture
A day before her marriage, Reshma (Vidya Balan) runs away from her rural village, hoping to become a star in Chennai. She fails to impress a casting director, and he insults her for being unattractive and unable to act. Determined to secure a role, she spontaneously auditions for the position of a background dancer. However, she dances in a sultry manner, using erotic movements which annoys the film’s director, Abraham (Emraan Hashmi). He edits out Reshma’s entire dance sequence. The film fails at the box office, much to the dismay of the producer Selva Ganesh (Rajesh Sharma), who later recalls Reshma’s performance and offers her a role in a song in his upcoming film. Selva also suggests that she now be referred to as “Silk”, which is more exotic and captivating.
At the first shoot, Silk dances with veteran actor Suryakanth (Naseeruddin Shah), her childhood idol. Enamoured with him, Silk gains his affection and attention by offering a long-term sexual relationship. Meanwhile, Abraham proposes a new film to Selva Ganesh and is keen to cast Suryakanth. However, Suryakanth’s suggestion of adding sex and eroticism, to make the film more commercially viable, angers Abraham. Silk slowly builds a name for herself in the industry and goes on to do many more sexually charged films with Suryakanth, which catapults her into stardom. She gains many male fans and, in a short time, becomes immensely rich and popular as a Southern sex symbol.
Vijay is a honest and kind guy who lives with a huge family and his friend Vivek. One day, he is approached by a person who tells him that his father owes him some money and he is to return it or his house would be taken away. Vijay discovers that a guy named Koccha based in Malaysia owes him a large amount of money, and so as a courier boy, along with Vivek, he flees to Malaysia. After some time he finds Koccha’s son-in-law and circumstances cause him to attack Koccha’s men. Then he finds Koccha’s sister and she falls in love with him. Her brother is forcing her to marry a corrupted person, and so with the help of her mother flees to India. He soon finds out that his father is being held as a slave in Kadappa, Andhra Pradesh, and has to figure a way out for all of them.
Impressive first half and good comedy are basic assets of this film. But the weak second half and a lengthy runtime put breaks on the free flow of the film. This film should satisfy those who are looking for a typical popcorn entertainer this holiday season.
Arjun (Silambarasan), an animation artist living in London with his uncle (VTV Ganesh), meets Nisha (Varalaxmi Sarathkumar) in a London pub. She is an aspiring dancer who is living with her aunt Veena (Shobana). After going around together for a day, Nisha proposes a relationship, and Arjun agrees. Arjun hates Nisha attending salsa classes with her friend Mojo as her partner. However, he agrees to marry her.
After their marriage, Nisha makes it clear that she still wants to dance and enter the UK competition “Let’s Dance”, and make a career for herself. Arjun suddenly discovers that he is, at bottom, a “Pachai Thamizhan” who believes that a woman’s place is in the home (preferably the kitchen, but she has the freedom to walk from one room to another if she wants). On the advice of his uncle, he impregnates her, so that she stays away from dancing.
Ram is introduced to be an youngster who loves graffiti and doesn’t believe in everlasting love. He has gone through 9 loves in his life, and thinks that love between two people eventually dies out. As a person with strong morals, he is honest and wants to love life and live with open mind, open thought and open action with his lover. Jaanu (Genelia D’Souza) studies in the same college as Ram. He falls in love with her at first sight and goes onto wooing her. She eventually ends up falling for him, but wants him to promise to love her forever. Ram, of course, nonchalantly dismisses this and explains how he cannot love her forever. This leads to a clash of their ideologies. Ram shows Jaanu how even true love stales after a while and true love cannot stay forever, while Jaanu shows him examples of everlasting love, like her friends and her parents. However he makes it clear that love between two people is never the same as it first is. Ram doesn’t really bother about feelings of Jaanu and assumes that things work out for him with her because of how he feels for her without genuinely caring about how she feels and wants her future. Ram shows narcissism in most parts of the story.