Chulbul Pandey encounters an enemy from his past, and his origin story as the fearless cop unfolds.

When a kid named Pannu finds a lantern in a cave, he opens it when he gets home and it releases the King of all Genies named Karkimuki. The genie helps the little boy with his problems of everyday life.

Maayi (Sarathkumar) is a well-respected, do-gooder in a village. He considers women in the village as his sisters and even helps financially to conduct their weddings. He is a man who is ready to kill his father Irulandi (Vijayakumar) when he learns that he had a second wife. But the father opts to kill himself rather than face his son and so, Maayi brings his stepsister Lakshmi (Suvalakshmi) to live with him. A local MLA (Rajan. P. Dev) comes to Maayi to get his support during the upcoming election, but he refuses and the MLA loses the election. But his son (Anand), who admires Maayi, marries Lakshmi.

The film opens with a flashback showing the family feud between families of Prabhakaran (Vijayakanth) and Bhavani (Indraja). Prabhakaran and Bhavani are in love. The murder of Bhavani’s father, is wrongly accused on SP’s father. He starts to help Bhavani’s family and mortgages his own house to finance her factory with the intention of making it up to them as he still believes that it’s his father who killed Bhavani’s father. But Bhavani is now trying to take revenge for her father’s murder. SP’s mother is now on her deathbed. While in the hospital, his mom tells how his father had a different wife and he should ask them forgiveness. He storms into Bhavani’s house and accuses her uncle (who really killed Bhavni’s dad), also trying to make her understand the truth but she doesn’t believe him. Then Prabhakaran says he doesn’t love her any more and vows that he will never trust a woman by remaining a chronic bachelor forever.

Kalidasa (Prakash Rai) works in the state archaeological department and is a food lover, he is 45 years old and remains unmarried. His only companion is his cook, Krishna (Thambi Ramaiah). Naveen (Tejus) is Kalidasa’s nephew who comes to stay with him while looking for a job. Kalidasa has a normal life until he gets a misdialed phone call from Gowri (Sneha), a dubbing artiste living with her friend Meghana (Samyukta Hornad). Gowri rings to order a Dosa from a restaurant, but gets Kalidasa instead. Their conversations do not go well at first, but a long-distance romance develops due to their common interest—cooking and food. Kalidasa is a born gourmet while Gowri is indulging in culinary activities in memory of her dead mother. Kalidasa starts to let Gowri into the secrets of baking with a multi-layered cake called “Joan’s Rainbow”.
Kalidasa and Gowri both get the jitters before their first face-to-face meeting, as each becomes conscious of their own physical appearances, and both decide to send younger and better looking substitutes instead, Naveen and Meghana. When they meet, neither Naveen nor Meghana realises that the other person is a substitute, since they introduce themselves as Kalidasa and Gowri respectively. Naveen thinks that Kalidasa is actually in love with Meghana while Meghana thinks that Gowri is in love with Naveen. They attempt to sabotage their older counterpart’s relationship by telling Kalidasa and Gowri respectively that the person they met would be unsuitable for them due to huge age difference and personality type. Kalidasa and Gowri try to forget each other and end up feeling sad for a long duration of the movie. Finally, Kalidas gives in to his loneliness and calls up Gowri and they both decide to meet face to face. Both of them decide to meet each other honestly to get it over with. Naveen and Meghana, who by this time had started to develop feelings for each other, are confused worried upon hearing this as they are afraid their true identity will be revealed to the other person. Naveen finally admits to Meghana that he is not the real Kalidasa and Meghana too explains her side of the story. They both realise the confusion and call Kalidasa to apologise and narrate all the incidents unknown to them. Kalidasa and Gowri finally meet each other at the planned museum and their relationship begins.

The film starts with Thamizharasan (Sathyaraj), a reformist who enters a village with the intention to unite a couple and help a young girl Sandhya (Madhumitha), who aspires to be a singer. Bala (Siva Balaji) is in love with Sandhya. There, Thamizharasan faces the anger of Sandhya’s father (Dhandapani), a strong believer of older ideologies. Sandhya hates Thamizharasan, and the reason for that is told in a flashback, which starts with Thamizharasan’s wife Maheswari (Namitha) aspiring to be a sports champion. Thamizharasan motivates and helps her. Due to some family problems, Maheswari commits suicide after making her husband promise to help her sister to become a popular singer. The rest of the film is how Thamizharasan fulfills Maheshwari’s promise and helps unite Bala and Sandhya.

Vasool Raja- is in a rowdy gang, where they get money from people. When his parents are coming for a visit,he & his gang pretend they are running a hospital. Later Vasool’s parents find out that they were cheated by their own son as pretending to be a doctor. Now Vasool must attend a medical school to earn his parent’s trust back. There he encounters his love at first sight (childhood friend) and he encounters his arch-enemy.

When an illegal hooch baron’s reign of terror troubles an entire village, the people turn to the only man who can save them: Raja, the flamboyant don with a heart of gold.

The trials and tribulations of a young man who comes to the city to become a don.

Desperate brain cancer-ridden Caucasian George States, with only six months to live, decides to capture a male cobra with hopes of obtaining Nagmani from the shape shifting Naga female. For reasons that remain obscure throughout the film, this will not only cure his brain cancer but also make him immortal. He hires workers in the jungles of Natchi, Tamil Nadu, who witness the intimacy of the cobras, and capture the male, allowing the female to escape. George then holds the male cobra in a glass cage in the hopes that the female cobra will attempt a rescue, and he will then release it in exchange for the Nagamani. The region experiences horror and religious awakening after the enraged female cobra. With the image of its oppressor in its eyes, sheds its snake skin and takes on a female human form, setting out on its deadly mission of tracking down and destroying her mate’s oppressor, and whoever else gets in her way, whether involved or not.

In a tiny concrete-and-tin Chennai home in the slums live two young brothers with their mother and grandmother. With the boys’ father in prison for unknown reasons and with an ageing mother-in-law, the mother does her best to keep the kitchen fires burning. The brothers spend their time playing games and stealing and devouring eggs from crows’ nests. Their love for these eggs leads them to start calling themselves “Periya Kaaka Muttai” ( Big Crow Egg) and “Chinna Kaaka Muttai” (Small Crow Egg).
The young boys constantly beg their mother and grandmother for toys they cannot afford, and later for a television. They don’t yet understand that the two women can’t give them everything they want. When their mother and grandmother finally do bring home a television – a gift from the government to ration card holders who live below the poverty line – it’s like the opening of a portal. The boys see a pizza commercial on TV whose steaming, slow-motion images make the unfamiliar food look like manna from heaven. Meanwhile, a brand new pizzeria comes up in the neighbourhood, and actor Silambarasan alias Simbu comes to its opening. Remembering the looks of enjoyment on Simbu’s face when he tasted a pizza at the pizzeria, the boys thereafter think of nothing else but getting their first taste of a pizza.

Through reincarnation, family members are able to cross generations and meddle in each others’ lives.